Ian Robinson: Actually, I didn't think of it. One of my Writing and Editing students at Chisholm Berwick, Elise Jones, who later became a good friend and then got a job as a children's book editor at Allen and Unwin, made the connection and suggested I try it. So I started playing around with ideas. The idea for The Most Amazing Thing was my third or fourth go. It came to me in the middle of the night at a writing retreat, and I wrote it down the next morning. The text hasn't changed significantly since then.
Bass Coast Post: You’ve taught professional writing and philosophy. What made you think of combining the two in your first children’s picture book?
Ian Robinson: Actually, I didn't think of it. One of my Writing and Editing students at Chisholm Berwick, Elise Jones, who later became a good friend and then got a job as a children's book editor at Allen and Unwin, made the connection and suggested I try it. So I started playing around with ideas. The idea for The Most Amazing Thing was my third or fourth go. It came to me in the middle of the night at a writing retreat, and I wrote it down the next morning. The text hasn't changed significantly since then.
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By Catherine Watson MARK Schaller calls it extreme painting. He’s referring to the situations he and his Phillip Island painting mate Mick Turner sometimes find themselves in, which adds an extra frisson to the challenge of plein air painting. Recently he sought the shade of the cliff to set up his easel at Smiths Beach. Mick pointed out the sign beside him, “Falling rocks”, and prudently shifted down the beach. Mark decided he’d risk it and painted on. A recent evening painting at Cape Woolamai turned into night. By the time they packed up, darkness had fallen and they inched their return along the clifftop trail. By Catherine Watson THERE’S no separation between Mae Adams’ life and art. Walking or weeding on her bush block, she’s surrounded by the lomandras, saw sedges and dianellas that go into her exquisite weavings. She wakes to the sight of her finished works on the walls and bunches of dried plants around her. It’s as if they have entered her dreaming. Mae’s weavings are held in private collections in Australia and the US, as well as in the National Gallery of Australia, the Museum of Contemporary Art, in Santiago, Chile, the La Trobe Regional Gallery and the Gippsland Art Gallery. By Catherine Watson I HAD time to play Tim O’Brien’s new album The Unquiet Road twice as I drove to Cranbourne. In the Australian folk/country tradition, they are songs of love and loss and longing. He sings about the rural diaspora, about homelessness, about farmer suicide and urban disconnection but also about enduring love. Tim's probably the only person who could turn Coolangatta into a song full of regret. By the time I reached the station, I was very melancholy. We all have towns we left behind, roads we didn’t take, and other roads we probably shouldn’t have. All day I was slightly ethereal, in a good way. Tim describes himself as "quite a cheerful sort of bloke" but admits to being drawn to melancholy and nostalgia. "It’s the Irish in me. It was quite deliberate to call the album The Unquiet Road. All those things that never leave us. It’s a bit of a life opus. Our lives are full of sliding door moments.” By Carla van Laar OF COURSE it was love that brought me to Inverloch five years ago. Now it’s love for the arts and culture that have propelled me to take a leap of faith and create an artist-led space in the heart of the shopping strip here in Inverloch – the ‘Inverloch Pop-Up ART CO’. We’ll be popping up from December 26 to January 31. Like attracts like. Since moving permanently to Inverloch, I’ve been gradually finding and making friends with other like-minded souls. The artists and healers in our community. These are the people who are gathering together with overwhelming enthusiasm to make the Inverloch Pop-Up ART CO a true creative hive of activity for our community. We are looking forward to connecting with even more folks who embrace the arts and creativity as a source of wellness and belonging. Running an arts space isn’t something you do for money. Like me, they are doing it for love. By Warren Nichols “ART should astonish, transmute, transfix,” declared Brett Whiteley. Since 2020, Phillip Island Contemporary Exhibition Space (PICES) has been dedicated to “bringing contemporary art to the Bass Coast and connecting to the wider region” (PICES’ vision), so far showcasing 99 artists across various visual mediums. As the 5th annual Pop Up Exhibition approaches in 2024, PICES is set to exhibit 27 artists, nine of whom have not shown their works on Phillip Island before. Meryl Brown Tobin is well known in Bass Coast for her poetry, short stories and non-fiction but she has entered new territory with her first novel, a romantic suspense set in the far northwest of Australia. Post: Why a novel now? Was this a pandemic project? Meryl Brown Tobin: It is now because, after many years of writing novels, I have found a publisher who appreciates what I have to offer and has taught me how to write my love story in a way they are prepared to publish. Post: Love and crime – a classic combination. Did you have a lot of fun writing this? MTB: I enjoy writing but to me writing is a serious business. I could describe it as satisfying but not fun unless writing a comic scene. Post: Did you read a lot of romances or thrillers before you wrote Broome Enigma? By Catherine Watson LIKE most people, I avoid articles, books and documentaries about climate change. Not that I’m a climate sceptic but I’ve got the gist. Why waste my limited intellectual and emotional energy on something I can’t change? But what if I read this? “In truth, the kind of life I lead with a houseful of young children can easily become monotonous. But at least once a year our domestic routine is interrupted by packing lists, camp gear and late night batch cooking and we find ourselves - my husband, three daughters and I – facing into the wind on the crisp shores of Norman Bay, our long shadows reaching into the earth, the oceanic air washing us clean of suburban tedium." By Catherine Watson IT’S back! After a three-year break, the Phillip Island Festival of Stories returns on November 18 in Bass Coast’s new cultural home, Berninneit. The first three festivals (2017-19) established their credentials for innovative and themed programming. This was far more than a marketplace for authors to spruik their books. The 2019 festival was a triumph, featuring a Booker prize winner (Thomas Kenneally), a Nobel Peace Prize winner (Dave Sweeney) and a Miles Franklin Award winner Melissa Lucashenko, plus the legendary writer/actor/performer Uncle Jack Charles in conversation with local musician and storyteller Kutcha Edwards. ELLEN Palmer-Hubble’s soulful portrait of Bass Coast Mayor Michael Whelan and his kelpie Grouse has been selected for Hidden Faces - the 2023 Victorian Salon des Refusés Exhibition, which went live online last week. Ellen submitted It’s in G, Grouse for the 2023 Archibald Prize. In her artist’s statement, Ellen says she wanted to depict the inner game of music. “Music comes from a connection to an inward focus. It is the musician who has the gift of refined listening; the key to imparting the aesthetic of music. “Michael is playing a ‘G’ chord while Grouse, his loyal kelpie is listening intently. I wanted this visual to appear audible for the viewer to listen and also become absorbed.” Write on ... From left, Geoff Ellis, Clair Williams, Karen Bateman, Kit Fennessy, Brook Tayla, Jillian Durance and Laurie Martin By Catherine Watson
THE expression “a picture paints a thousand words” is in praise of art, but Inverloch artist John Mutsaers has a different take. “I regard writing as the highest art because you can put pictures into people’s heads with a few words,” he told a group of writers who gathered at Wonthaggi’s ArtSpace last month. The writers were among a group of 12 chosen to be part of unique cross-cultural project. The Post caught up with the director of the Bass Coast Shorts Film Festival while he was en route from Berlin to Wonthaggi for the second festival from August 4-6. Post: How many entries did you get for Bass Coast Shorts? John Frohlich: We ended up with 90 film submissions and will be screening 48 films across the festival's four screenings; Friday 4 August, opening night, Saturday 5 August, afternoon and evening and Sunday afternoon, 6 August. Post: Are the local films telling local stories or generic ones? JF: Good question. We have a number of films which have the ocean front and centre, which is not surprising given we have a Coastal Life category. Lots of beautiful underwater and coastal cinematography in a variety of stories. I think audiences will really respond to these films because of their sheer beauty and also their themes. By Larry Hills
THE Bass Coast Chorale has been entertaining audiences from Bass Coast and South Gippsland for 18 years. During that time, we’ve presented many concerts on our own as well as joining forces for major works with other Gippsland choirs such as the South Gippsland Singers, the Prom Coast Singers and the West Gippsland Chorale. The profits from our concerts have contributed more than $28,000 to local charities. Beyond the Clouds brings together a wide range of music: traditional, contemporary, classical, original, popular, opera and music from the shows. By Catherine Watson INVERLOCH artist John Mutsaers is fascinated by the intersection of the visual and literary arts. To mark his August exhibition at the Gippsland Performing Arts Centre in Traralgon, curated by Gabriella Duffy of the Latrobe Regional Gallery, he wants to work with writers who will respond to a series of his paintings and drawings, based on his own childhood. Each writer will be paired with a painting, a drawing and a cue card. John says the cue could be a quote and the connection might not be obvious. BASS Coast classical guitarists Michelle Nelson and Tania Ravbar are making up for lost Covid time with a recital at Cowes on Sunday. The two accomplished musicians met by chance after moving to Bass Coast, Michelle to Wonthaggi and Tania to Grantville. Both performers have many years of experience and achievements, including guitar competition and composition awards, regular airplay on ABC Classics and the MBS network, and many performances in groups and chamber concerts. By Libby Skidmore TO CELEBRATE the first King’s Birthday holiday weekend, the opening night of the Corinella and District Community Centre Art Show and Sale will have a touch of class. Patrons are encouraged to dress to impress. Crowns and tiaras are optional and will add a bit of fun on the night. The opening is on Friday June 9 at 7.30pm. Tickets are $15 which includes a catered supper and drinks. By Ellen Hubble FOR this year’s Winter Solstice exhibition at ArtSpace Wonthaggi, we are asking artists to respond to the theme of climate change and the concept of uncertainty. We are very pleased that Bass Coast Mayor Michael Whelan will be doing the official opening on Sunday June 4, 1-4pm. Michael is a strong advocate for climate action. Prizes will be awarded in Open and Emerging Artist sections and there will be a People’s Choice award. By Catherine Watson SOME years ago Phil Henshall stopped his car as an echidna slowly crossed the Bass Highway in front of him. Half a dozen vehicles stopped behind him as the tiny vulnerable creature made it safely to the bush on the other side. That brush with nature was the inspiration for his new painting Help! which will be raffled this month to support the campaign to end sand mining in the Western Port Woodlands. By Catherine Watson JOHN Mutsaers admits his stamina is diminishing and his shoulders hurt after a long session in front of the easel. But there are compensations. In his 81st year, he feels his creativity blossoming. He is full of ideas for works and series. Which is why, despite the physical aches and pains, he has set himself an ambitious schedule of three solo exhibitions for 2023: one in Bairnsdale a retrospective to mark his 40th year as a professional artist; and two in Traralgon and Wonthaggi featuring new works. By Catherine Watson JUST don’t suggest to John Frohlich that a short film is a second-best version of a “real” film. The director of the Bass Coast Shorts Film Festival believes short films are where the real creativity is happening these days. What makes short films so interesting, he says, is that they offer independence. That’s precisely because they are so cheap to make – or even free. “Anyone can make a short film these days,” Frohlich says. “You can do it on your phone, use free editing software, copyright-free music and special effects. By Deb Watson LIFE can take a turn for the worst for any of us. Imagine contemplating a Christmas without enough food to feed your two young kids. Not even the basics. Now imagine a knock at your door and you open it to find two people you’ve never met carrying a box each. These boxes are for you and your family and you open them to find enough food to get you through … and a couple of extras for the kids. Local textiles artist and foodie Karin Ellis had just that experience when she was a young mother living up in the Dandenongs. The knock at the door came from a local community organisation that helped those in need. By Warren Nicholls “WARREN, there’re 5000 artists living in Gippsland,” Simon Gregg, director of the Gippsland Art Gallery, once told me. So what have I got to worry about as planning starts mid-year for selection of artists for the fourth Phillip Island Contemporary Exhibition Space’s (PICES) 2023 Summer Pop Up Exhibition? The artists are out there. Now it’s the daunting part: the artist selection. I remind myself to adhere to PICES’ purpose to introduce a high standard of contemporary art to Phillip Island’s local and visiting public – and follow the process! Process? Can’t be that difficult, can it? By Janice Orchard ARTISTS of all ages and abilities are once again invited to enter the KernART Prize with a total prize pool of over $2000. A not-for-profit fund raiser, KernART is raising funds for children of people with mental health issues. The proceeds of the art show will help Bass Coast Health provide local children with what they need to live a happier life supported by their peer groups, whether it is through sporting activities, arts and crafts or music. Now in its seventh year, KernArt is on again at the Kernot Community Hall on the Melbourne Cup weekend. Open to artists of all abilities, the prize aims to bring together a community of art-loving and art-starting people from across Bass Coast, South Gippsland and beyond. By Ann Brown IT STARTED in 2017 with the launch of Luminous Galleries across the Waterline towns of Coronet Bay, Corinella, Tenby Point, Grantville and Pioneer Bay. Five years later, Coronet Bay still celebrates with several exhibitions each year on the Coronet Bay foreshore, using in-ground lights that were installed as part of the Small Towns Transformation project. It is amazing to think that we are still going. From a handful of people to nearly 30 now. From a managed group to an independent collective of diverse individuals. Our motto seems to have evolved by itself … acceptance of all. I think this has resulted in exhibits where differing styles come together to create the fun of each exhibition. Before Covid we met regularly in workshops. During Covid lockdowns we kept going independently. Letterbox drops and texts helped us co-ordinate. We erected the displays during lockdown respites. By Catherine Watson IN HEATHER Tobias’s 85th year, the last thing she was expecting was her first solo exhibition. “It’s taken all this time,” she marvels. Not that Heather is Wonthaggi’s Grandma Moses. She was part of a vibrant Bass Coast arts scene from the 1980s to the early 2000s, and actually taught art and used to show her work in the annual Bass Coast Art Group exhibitions – but this is the first time her work has been exhibited as a collection. Earlier this year, ArtSpace Wonthaggi curators Ursula Theinert, Susan Hall and Karin Ellis visited Heather after hearing she wanted to exhibit some of her work in the gallery. “We were amazed at the breadth of work that had been tucked away unseen for so many years,” Karin recalls. |