Frenchwoman Sofie Dieu uses Chinese inks, Japanese techniques and Australia’s natural world in her pursuit of "the numinous".
By Liane Arno
WHATEVER your faith, or even if you don’t have one, you cannot help but be moved by the majesty of a cathedral. It is what draws so many of us to explore these edifices to experience the vaulted archways, the gothic buttresses and the weeping angels adorning the majestic towers that were built to reach an all-powerful God.
magine, then, what it was like to be a young girl living in Reims, only a few metres away from a cathedral where the kings of France were crowned. Imagine you step over the threshold only to find yourself surrounded by a scene rich with stained glass windows, white robed priests and gold ornaments in a cathedral built over centuries with its origins in the fourth century.
By Liane Arno
WHATEVER your faith, or even if you don’t have one, you cannot help but be moved by the majesty of a cathedral. It is what draws so many of us to explore these edifices to experience the vaulted archways, the gothic buttresses and the weeping angels adorning the majestic towers that were built to reach an all-powerful God.
magine, then, what it was like to be a young girl living in Reims, only a few metres away from a cathedral where the kings of France were crowned. Imagine you step over the threshold only to find yourself surrounded by a scene rich with stained glass windows, white robed priests and gold ornaments in a cathedral built over centuries with its origins in the fourth century.