A moving NAIDOC Week opening in Inverloch left Liane Arno feeling a welcome guest in this place.
After turning her back on her scientific studies, author Robyn Arianrhod was lured back by some great men and women of science.
In every Graeme Myrteza work, you will find the initials of his son Brett because it was Brett who drew him back to the world of painting.
Bron Dahlstrom has no doubt climate change was a factor in the 2009 bushfire that nearly killed her. ClimArt is part of her mission to spread understanding.
The world of commercial photography has long been digital but Trevor Foon still enjoys the alchemy of film.
A temporary disfigurement gives Liane Arno an inkling of what some people have to endure their whole lives.
An isolated childhood forged Filippa Buttita's pre-occupation with art.
A move from Calgary to Wonthaggi prompted a new creative burst for Heidi Rolfe.
Printmaker Mary Ham wants to combine chaos and order, she tells Liane Arno.
Circumstances prevented Maureen Loughran from pursuing her love of art. When she finally got the chance, she made up for lost time, reports Liane Arno.
Landscape designer John French has found a new creative outlet in his intriguing mosaics.
Family stories are no good if they aren’t told, and journalist Sandy Guy can show you how to do it.
Where most of see chaos, Werner Theinert sees patterns.
Liane Arno meets Keith Hulsman, a master wood carver known for his intricate designs.
Deb Watson's life changed when she fell in love with glass.
Inspired by tribal art, Heather Towns creates “pattern on pattern on pattern”.
A challenging career in social work helped Karen V Sandon find her own path in art.
By Liane Arno
THE only way I can describe Leigh Rowles is that she is pixie like. Her eyes sparkle, her hands dance and she almost glides across the floor. She tells me her first attempt at choreography was when she was eight years old. She arranged a slow tap dance around Deep Purple. I smiled knowingly – but at the time (and please tell me I am not the only one) thought slow tap and a heavy metal band sound was a little incongruous. I had to google when I got home to find what she was really talking about.
By Liane Arno
A THIN naked man, with blue painted finger nails and a skin so white that it was almost luminescent sat before 16-year-old Mandy Gunn. He called everyone “Darling”. Mandy’s first life drawing class at the Bromley Art School was not what she had expected. She was to learn that the model was none other than Quentin Crisp who famously said that being a model in life drawing classes “was like being a civil servant except that you’re naked”.
By Liane Arno
PRIOR to meeting Bob Hickman I had met some amazing artists. In each instance I had tried to do a bit of research beforehand. I checked out Bob’s Facebook page and came across this, by Jasmine Kay Uy. I loved it because it was a representation of the sense of all the artists I had interviewed to this point. But in speaking with Bob, I exclaimed, “You’re the first artist I’ve met who can support themselves through their art”.
Archies Creek has lost a legend with the death of ‘Old Joe’'.
Woodworker Kaye Hatton finds hidden treasures in other people’s rubbish.
By Liane Arno
“I’ll have one more for the hill”. Every evening Ralph would come down to the pub for his three pots – and then one more so he could make it up the hill to his home. So punctual was Ralph that I used to time my first drink when Ralph turned up at quarter to six. It was very disappointing, and an anxious wait, if he was late.
Sue Acheson revels in the mystery of the kiln, where what emerges depends on the flow of the fire and the fall of the ash.
Liane Arno has worked in lots of firms, finishing her corporate life as Head of HR for a top 100 company. She now does lots of volunteer work with her best mate/husband Matt and has worked in Papua New Guinea, Samoa, Cambodia, Vietnam, Indonesia and ... the Bass Coast Shire.