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An artist in lockdown

21/8/2020

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PictureEscape by Marian Quigley, painted during lockdown, was inspired by scenes of Mallacoota residents escaping by boat from the bushfires.
By Marian Quigley

I’D ALREADY filled out my entry forms for two local Easter art exhibitions by the time the first COVID-19 lockdown in Victoria was announced.  They were among the many Australian exhibitions soon to be cancelled or postponed.  Others shifted online.  Most local art groups’ activities ceased.  The pages of my diary – usually peppered with the dates of exhibition openings, submission, delivery and collection – are now blank or filled with crossed out entries.

Although artists may find it easier than most to adapt to enforced isolation and have found this to be a productive time, some – both local artists and members of online artist groups I know – seem dispirited or have lost their creative drive.  


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Fine art of the absurd

8/10/2019

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Local artist John Adam was at the centre of a satirical art movement that’s receiving serious attention.
By Marian Quigley
 
ART journals that formed part of a regular interchange between Phillip Island artist John Adam (aka John Spon) and his late friend, the renowned Australian artist Robert Rooney, have been acquired by the National Gallery of Victoria and are likely to be exhibited there in the future.

​John took his journals to the NGV earlier this year following a request from Trevor Fuller, who was researching a biography of Robert Rooney. The NGV already has approximately 30 of the journals Robert produced in their collection. In February, John received a letter from NGV Director Tony Ellwood stating that they “will make an invaluable addition to the NGV’s representation of the 1960s art movements in Melbourne. They will also complement our expanding collection of work by Robert Rooney and help to contextualise the Spon phenomenon”.


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Immersed in a landscape

21/3/2019

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PictureWarren Nichols: Western Port 1806 Winter Late Afternoon
Seascapes abound in Warren Nichols’ new work as he revels in the changing light over Western Port. Just don’t expect to see a fish in his minimalist work.

​
By Marian Quigley

THE landscapes of New Zealand, Tasmania and Western Port have all inspired Phillip Island artist Warren Nichols.  It was his parents, rather than the academic schooling provided by Auckland Grammar School, who laid the groundwork for his later development as an artist.  Regular Sunday trips in the family VW Beetle were memorable despite Warren being squashed in the back seat alongside his two siblings.  These journeys were often to remote areas of his native New Zealand, including Muriwai Beach, one-time home to world renowned artist Colin McCahon. The trips were punctuated by the insistent calls of his mother, an enthusiastic, award-winning amateur photographer, to pull over so she could take a shot.


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Softening the edges

13/2/2018

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PictureBeach Girl, by Bill Binks
By Marian Quigley

A request for assistance with a school art project introduced Phillip Island artist Bill Binks to the art of Picasso and the Cubists and cemented his love affair with art.


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The moment of truth

17/8/2017

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Decades of practice enable watercolour master David Taylor to capture the fleeting moment. ​


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Sea creatures, bathing ladies and other curiosities

14/4/2017

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PictureHeather Fahnle and "Pink Lips"
By Marian Quigley

​A VISIT to the Old Curiosity Shop in Ballarat mesmerised 10-year-old Heather Fahnle and triggered her lifelong fascination with mosaics. ​


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Caricatures and stingrays

2/2/2017

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The artist and the scientist have always been part of Jill Rogers’ makeup. Marian Quigley finds out more. 


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Fine figures

5/11/2016

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Marian Quigley

DRAWING the human form using a live model continues to be an important practice for all artists, regardless of their style or medium.

Sandra Peeters, who moved to Phillip Island from Tasmania five years ago, is the co-ordinator of the Artists’ Society of Phillip Island bi-monthly life drawing sessions. Her recent exhibition Up, Down, Inside Out at the Stephen McLaughlan Gallery in Melbourne utilised some of her own drawings from these sessions.

​​Sandra explains her current art practice as a mixture of abstract and figurative painting, drawing and collage which has developed and progressed over the past 15 years or so. “I tend to be interested in both the gravity and humour of everyday life, and the complex ways in which people go about it, how they think about themselves and how they relate to each other.
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Black Rain by Sandra Peeters

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