
MARK Schaller calls it extreme painting. He’s referring to the situations he and his Phillip Island painting mate Mick Turner sometimes find themselves in, which adds an extra frisson to the challenge of plein air painting.
Recently he sought the shade of the cliff to set up his easel at Smiths Beach. Mick pointed out the sign beside him, “Falling rocks”, and prudently shifted down the beach. Mark decided he’d risk it and painted on.
A recent evening painting at Cape Woolamai turned into night. By the time they packed up, darkness had fallen and they inched their return along the clifftop trail.